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內(nèi)容簡(jiǎn)介

　　《戲曲演進(jìn)史》是曾永義教授以劇種的演進(jìn)為骨架，參照諸多文獻(xiàn)資料與底本，編成的鴻篇巨制，全面闡述了中國(guó)戲曲的演進(jìn)過(guò)程，被認(rèn)為“完善了一代之學(xué)的內(nèi)涵和外延”，是該領(lǐng)域的標(biāo)志性著作。本書(shū)包括兩大部分：“金元明北曲雜劇編”之第十四章至十五章以及“明清南雜劇”。各部分具體內(nèi)容如下：“金元明北曲雜劇編”第十四章“北曲雜劇之余勢(shì)：明初憲宗成化以前百二十年作家作品述評(píng)”、第十五章“周憲王及其《誠(chéng)齋雜劇》 ”、第十六章“北曲雜劇的尾聲：明中葉至清代名家名作述評(píng)”。“明清南雜劇”部分：“序說(shuō)”、第一章“明清雜劇之著錄”、第二章“明清南雜劇演進(jìn)之態(tài)勢(shì)”、第三章“明中期南雜劇作家作品述評(píng)”、第四章“明后期南雜劇作家作品述評(píng)”、第五章“清順康間南雜劇、短劇作家與作品述評(píng)”、第六章“清雍乾間南雜劇、短劇述評(píng)”、第七章“楊潮觀及其《吟風(fēng)閣雜劇》”、第八章“清嘉道咸雜劇述評(píng)”、第九章“清嘉道咸雜劇述評(píng)”、附錄“清嘉道咸雜劇述評(píng)”“清嘉道咸雜劇述評(píng)”。

作者簡(jiǎn)介

　　曾永義（1941—2022），臺(tái)灣臺(tái)南縣人。臺(tái)灣大學(xué)文學(xué)博士，“中研院院士”。長(zhǎng)年從事戲曲、俗文學(xué)、韻文學(xué)、民俗藝術(shù)的維護(hù)發(fā)揚(yáng)與教學(xué)研究工作。曾在哈佛大學(xué)燕京學(xué)社、斯坦福大學(xué)、香港大學(xué)、北京大學(xué)、中國(guó)戲曲學(xué)院等知名學(xué)府客座講學(xué)或訪問(wèn)合作。出版《戲曲學(xué)》《戲曲劇種演進(jìn)史考述》《戲曲演進(jìn)史》等戲曲研究類(lèi)學(xué)術(shù)著作20 余部，創(chuàng)作戲曲劇本22 種。被譽(yù)為當(dāng)代戲曲研究的“中流砥柱”，其《戲曲演進(jìn)史》被認(rèn)為“完善了一代之學(xué)的內(nèi)涵和外延”，是該領(lǐng)域的標(biāo)志性著作。

圖書(shū)目錄

戊明清南雜劇
序說(shuō)··················································································215
第一章　明清雜劇之著錄 ·························································216
一、“明雜劇體制提要”之統(tǒng)計(jì) ················································ 220
二、“清雜劇體制提要”之統(tǒng)計(jì) ················································ 224

第二章　明清南雜劇演進(jìn)之態(tài)勢(shì) ················································226
一、明中期雜劇之“南曲化”與“文士化” ································· 226
二、明后期雜劇“昆山腔水磨調(diào)化”蛻變?yōu)?ldquo;南雜劇”與“短劇” ··· 230
三、清代雜劇趨于短劇“辭賦化” ············································· 235

第三章　明中期南雜劇作家作品述評(píng) ··········································240
一、徐渭生平與《四聲猿》雜劇述評(píng)········································· 240
二、李開(kāi)先、許潮、汪道昆三位短劇作家述評(píng)····························· 261

第四章　明后期南雜劇作家作品述評(píng) ··········································278
引言 ················································································ 278
一、陳與郊《昭君出塞》《文姬入塞》《義犬記》與徐復(fù)祚《一文錢(qián)》述評(píng) ························································································ 278 二、沈璟《博笑記》及吳江旗下王驥德《男皇后》、呂天成《齊東絕倒》、沈自徵《漁陽(yáng)三弄》、葉小紈《鴛鴦夢(mèng)》述評(píng) ······························ 290
三、葉憲祖《檞園雜劇》十二種述評(píng)········································· 315
四、傅一臣《蘇門(mén)嘯》十二種述評(píng)············································ 330
五、其他南雜劇諸家 ······························································ 335

第五章　清順康間南雜劇、短劇作家與作品述評(píng) ···························348
一、吳偉業(yè)及其他諸家 ··························································· 348
二、徐石麒及其他諸家 ··························································· 354
三、裘璉及其他諸家 ······························································ 365
附錄：無(wú)名氏《三幻集》 ························································· 373

第六章　清雍乾間南雜劇、短劇述評(píng) ··········································374
一、蔣士銓 ·········································································· 374