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內(nèi)容簡(jiǎn)介

　　《中國(guó)詩(shī)詞曲史略》所論述的，是以漢語(yǔ)為表現(xiàn)媒介的詩(shī)詞曲，在中國(guó)文化精神的影響下產(chǎn)生和變遷的歷史。全書(shū)由上下兩編構(gòu)成。上編為詩(shī)歌概論，從詩(shī)字原始觀念的形成、《詩(shī)經(jīng)》和《楚辭》，論述到少數(shù)民族詩(shī)人和域外漢詩(shī)，在最廣泛的范圍中展示了中國(guó)詩(shī)學(xué)在技巧上、題材上、語(yǔ)言上和審美趣味上的變化；下編為詞曲概論，全面考察了從詩(shī)到詞、從詞到曲的轉(zhuǎn)折，并且比較了詩(shī)詞曲在形式、內(nèi)容和風(fēng)格上的異同，勾勒出詞曲歷史的發(fā)展脈絡(luò)。最后，綜合詩(shī)詞曲中白話因素的不斷增強(qiáng)，指出新詩(shī)在整體上取代舊詩(shī)的歷史必然。本書(shū)有兩個(gè)寫(xiě)作重心，一是注重中國(guó)詩(shī)學(xué)初創(chuàng)期和轉(zhuǎn)型期的討論，包括觀念和技巧、題材和審美趣味；另一個(gè)重心是注重詩(shī)歌語(yǔ)言的變遷，重點(diǎn)從這兩個(gè)角度描述了兩千五百年詩(shī)詞曲的復(fù)雜而曲折的變遷史。

作者簡(jiǎn)介

　　張伯偉，南京大學(xué)文學(xué)院教授、域外漢籍研究所所長(zhǎng)。曾任日本京都大學(xué)、韓國(guó)外國(guó)語(yǔ)大學(xué)及臺(tái)灣大學(xué)、香港科技大學(xué)、香港浸會(huì)大學(xué)客座教授。著有《中國(guó)古代文學(xué)批評(píng)方法研究》（2002）、《全唐五代詩(shī)格匯考》（2002）、《清代詩(shī)話東傳略論稿》（2007）、《東亞漢籍研究論集》（2007）、《禪與詩(shī)學(xué)》（2008）、《作為方法的漢文化圈》（2011）、《域外漢籍研究入門(mén)》（2012）、《東亞漢文學(xué)研究的方法與實(shí)踐》（2017）、《日本世說(shuō)學(xué)文獻(xiàn)序錄》（2021）等；編纂《朝鮮時(shí)代書(shū)目叢刊》（2004）、《中華大典·文學(xué)理論分典》（2008）、《朝鮮時(shí)代女性詩(shī)文集全編》（2011）、《日本世說(shuō)新語(yǔ)注釋集成》（2020）等。

圖書(shū)目錄

新版前記 ···················································································1
導(dǎo)　言 ······················································································5

上編　詩(shī)歌史略

第一章 “詩(shī)”字原始觀念的形成及其流變 ······································11
第一節(jié) “詩(shī)”字古義檢討 ·····················································11
第二節(jié) “詩(shī)”的觀念從宗教到人文的展開(kāi) ································13
第三節(jié)　從“詩(shī)”的早期觀念看中國(guó)詩(shī)學(xué)的若干特質(zhì) ···················19
第二章　溫柔敦厚和香草美人——中國(guó)詩(shī)學(xué)的初建 ····························23
第一節(jié)　春秋戰(zhàn)國(guó)時(shí)期詩(shī)歌的地域性 ········································23
第二節(jié) “《詩(shī)經(jīng)》學(xué)”上諸概念的詮釋 ···································26
第三節(jié)　《楚辭》的興起 ·······················································41
第三章　秦漢大一統(tǒng)制度下的詩(shī)歌 ·················································53
第一節(jié)　秦漢文化政策及其對(duì)詩(shī)歌的影響 ··································53
第二節(jié)　樂(lè)府詩(shī)的消長(zhǎng) ··························································57
第三節(jié)　文人五言詩(shī)的形成與成熟 ···········································67
第四章　士人之詩(shī)與貴游之詩(shī) ·······················································73
第一節(jié) “五言騰踴”的建安詩(shī)壇 ············································73
第二節(jié)　士人之詩(shī)的系列及特征 ··············································80
第三節(jié)　貴游之詩(shī)的系列及特征 ··············································94
第五章　唐詩(shī)的發(fā)展 ·································································114
第一節(jié)　南北文風(fēng)的交融和唐詩(shī)面貌的形成 ······························115
第二節(jié)　盛唐氣象 ·······························································123
第三節(jié)　唐詩(shī)的新變局 ·························································136
第六章　宋詩(shī)的特征及其形成 ·····················································149
第一節(jié)　宋詩(shī)產(chǎn)生的文化背景 ················································149
第二節(jié)　宋詩(shī)的發(fā)展及其特征的形成 ·······································154
第七章　少數(shù)民族詩(shī)人的崛起 ·····················································172
第一節(jié)　遼　朝 ··································································174
第二節(jié)　金　源 ··································································177
第三節(jié)　元　代 ··································································182
第四節(jié)　清　代 ··································································188
第八章　域外漢詩(shī)總說(shuō) ······························································194
第一節(jié)　朝鮮半島漢詩(shī) ·························································195
第二節(jié)　日本漢詩(shī) ·······························································206

下編　詞曲史略

第九章　詞體的形成 ·································································229
第一節(jié)　詞體的起源音樂(lè)與文學(xué) ·············································229
第二節(jié)　詞體的形成——從《云謠集》到《花間集》 ··················231
第三節(jié)　詩(shī)詞異同兼論詞體的特征 ··········································236
第十章　兩宋詞的發(fā)展 ······························································244
第一節(jié)　從伶工之詞到士大夫之詞 ··········································244
第二節(jié)　慢詞的創(chuàng)新與詞境的升華 ··········································248
第三節(jié)　格律詞和豪放詞的發(fā)展 ·············································255
第十一章　清代詞學(xué)的“中興” ··················································272
第一節(jié)　清初詞壇 ·······························································272
第二節(jié)　清詞流派 ·······························································278
第十二章　散曲的形成與特色 ·····················································292
第一節(jié)　散曲的淵源與形成 ···················································292
第二節(jié)　散曲的特征 ····························································297
第十三章　散曲的發(fā)展 ······························································304
第一節(jié)　元散曲 ··································································304
第二節(jié)　明散曲 ··································································316
第十四章　從舊詩(shī)到新詩(shī) ···························································327
第一節(jié)　傳統(tǒng)詩(shī)詞曲中白話因素的演變 ····································328
第二節(jié)　新詩(shī)的發(fā)展 ····························································335
參考文獻(xiàn) ················································································346